#NSFW #SPOILER 聲明與瀏覽方式(網頁版請按我展開)
#ENG 20190808 Preface and explanation
(web version click to expand)
This post is all about Nicolas Winding Refn’s latest work Too Old Too Die Young. I will go through episode-by-episode with synopsis and selected screenshots. So far Vol.1 to Vol.5 are done, the rest will be finished…in time.
#Taiwan Apart from the preface, this post is solely written in Taiwanese Mandarin #zh-tw with characters, lexicons and dialects commonly used in Taiwan. Thus it might not be the kind of Chinese language you think it is, and might not be fluently translated with Google or other web interfaces. Also keep in mind that the writing style here could be quite ‘idiosyncratic’ sometimes even to readers who speak my language. It’s because this is a creative writing blog prone to be experimental, not a usual (and generic) film review site you’d expect.
So what we have here is a TV series challenging to general viewers and the writing of it challenging to its readers. Well, what can I say? Have fun!
I’m also working on an overall afterthoughts section for TOTDY but I want to put it within 2019’s film-digging list instead. It’s gonna take some time to finish since I still have a couple thoughts to sidle in.
#SoooUnderTheRadar And AFAICT Too Old To Die Young is far yet to be well-known (or just known) to Asia’s Chinese-speaking viewers in general. It’s just all so quiet this time, unlike Refn’s last three films…that all have made it to Cannes. Yeah, Cannes. People here REALLY dig that. For an art-house(-esque) film, local or international, winning an award is pure survival here. It’s how you make it to theaters and to the crowd. So with publicity so modest and so minimal, I expect TOTDY to gradually gather a prominent cult-following pretty much exclusive to the west (wait, cult-following in the streaming era!? Hey that’s super cool! Neo-cult!). And before that happens, no way the show’s gonna gain any popularity here.
#ThisBlog Also, film lovers like myself and my peers that are unanimously into Harmony Korine, Gaspar Noé, Lynch, Jodorowsky, Ferrara and Refn are ridiculously unorthodox and invisible to this side of the world. Subversiveness and esotericism are thinner than air here and that is a problem. Although we are just too insignificant to the ‘market’, we are around. Always around. Some making auteur-driven films too. So my blog in its entirety is for these tough unorthodox mudafakas. It’s not for the mass. No. Too Old To Die Young is too badass for that too 😎